Enter the Dragon with RED’s latest Epic camera model, starring the 6K ‘Dragon’ sensor. This new sensor is a 19 megapixel, 30.7x 15.8mm Bayer pattern 16-bit CMOS sensor, which will impress you by it’s impressive Color Depth and Dynamic Range. Capable of capturing 1 to 82 fps at full resolution and goes up to 400fps in 2K mode. Our camera can be configured with a Pro I/O Module for professional audio and video I/O connectors.
4K DCI V-Log
The AG-DVX200 debuts as the world's first*1 4/3-type large format camcorder with integrated zoom lens. Combining digital video technology that Panasonic has developed over its long history of producing broadcast equipment with its expertise in professional camera recorder, the AG-DVX200 blazes an entirely new trail in video production.
INSPIRE 2 RAW
To meet the highest professional filmmaking standards, the Zenmuse X7 uses an S35 image sensor, offering 6K CinemaDNG RAW and a wide dynamic range of up to 14 stops. The X7 also introduces the DL-Mount, the world's first integrated aerial lens mount that allows for switching between four available prime lenses quickly and easily. With five 480 GB CINESSDs, eight Intelligent Flight Batteries for extended flight time, and the powerful combination of Cendence and CrystalSky, the Inspire 2 Cinema Premium Combo is all you need for masterful aerial cinematography.
PHANTOM 3 PRO
4K DCI V-Log
DJI Phantom 3 Professional
The DJI Phantom 3 Professional is equipped with the Vision Positioning System and is therefore easy to control, even for novice pilots. These Vision Positioning sensors are located at the bottom of the drone and see how far the quadcopter is moving from the ground. This allows you to fly indoor without using GPS.
The DJI Phantom 3 Professional keeps a close eye on all events during a flight and saves them automatically. In the logs you see, for example, the route of your flight, flight time and distance. This way you always have a good insight into your flights. The system also monitors the operation of the drone. In case of problems or questions you can easily share this data with DJI.
4K DCI V-Log
The Osmo+ builds on the advanced stabilization technologyintroduced with the Osmo to keep the camera flat no matter how you move it,whether you are live streaming or shooting your first film, and has been optimizedfor ultimate stability during stills capture.
The Panasonic HDC-Z10000 Twin-Lens 2D/3D Camcorder has dual lenses and twin Full HD 3MOS imagers and as such it joins a burgeoning class of affordable, single-body 3D-capable handheld camcorders. But it introduces to this category those three-chip imagers and also true convergence adjustment, which alters the angular orientation of the two 10x zoom lenses. This control facilitates fine control over the location of the "image plane" - the plane from which objects seem to either jump or recede as youre watching them on the big screen, or on the Z10000 camcorders glasses-free 3.2" LCD monitor.
150 - 5000 watt
ARRI True Blue® Series represent an unprecedented evolution of the Studio and Location fixtures that have been popular workhorses for decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of highly innovative lampheads with over 30 new improvements for studio and location lighting. With reduced weight, compact size and maximum light output the lampheads of the True Blue® Series set a new standard for professional lighting equipment.
8 kanalen mono /6.1 surround
TASCAM's DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24-bit Broadcast WAV quality. Six mic inputs provide phantom power and 60dB of gain for great-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF source for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sound.
Powerful, black camera receiver with increased bandwidth and more transmission power for the systems from the evolution wireless G4 500P series. For professional film productions, it can easily be mounted on any camera.
4.5K ARRI RAW / Prores
ARRI's new large-format camera system consists of the ALEXA LF camera, ARRI Signature Prime lenses, LPL lens mount and PL-to-LPL Adapter. Featuring a sensor slightly larger than full frame, the ALEXA LF camera records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore the immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.
PDW Series camcorders incorporate three 16:9/4:3 switchable CCDs for their image capture device. Using the best of Sony CCD technology, these allow for outstanding picture quality with a high signal-to noise ratio of 63 dB (PAL), low smear level of -140 dB (typical), and high sensitivity of F11. PDW Series camcorders also provide 25P progressive modes and Gamma to offer a film-like effect. The PDW-530P can record at various bitrates: IMX 30, 40, 50 Mbps, providing 68min, 57min or 45 min recording time respectively, DVCAM 25Mbps providing 85 min recording time
3200 -6500 color
30.000Lm. / 95RA+
Cop Auto Verlichting, Brand, Pulserende, Kleur chase, Auto-Cyclus, Kaars, Vuurwerk, paparazzi, Club Verlichting, Licht Strobe, Wolken.
The PXW-FS7 reflects years of intense conversations we’ve had with documentary shooters. In response, we completely redesigned the grip, improved the viewfinder, optimized the balance and refined the ergonomics. Of course, the FS7 also reflects Sony’s expertise in 4K and HD codecs, Super 35 sensors and memory recording. The result is the ideal camera for documentaries and the optimum tool for magazine shows, reality TV, unscripted TV and more.
4K DCI 6600L 32 meter
max. 32 meter horizontal projection
Screen sizes can be ordered in consultation